These are .22 shorts and are an 1800's friendly round that I picked up at the cowboy range. Most specifically, these were laying all over the floor of the church after Fire in the Hills. The flowers are fire polished Czech glass with antiqued brass filigree.
I experimented with some other sizes since my hubby bought me some small drill bits as a treat the other night. I often break these, so a set of drill bits is better than a dozen roses to me any day of the week.
So anyway, 30 carbines. The lighting in my room is really crappy, but you get the idea of them anyway. A .30 carbine was introduced in the 40's, so unlike most of my bullet casings, it's not a Victorian-era round. I have a lovely assortment of firearm enthusiast friends that keep me supplied in odd casings.
Here again, larger Czech fire-polished glass flowers with aged copper filigree findings.
And lastly, another pair of .22 shorts. Mottled, creamy green and brown Czech flowers with antiqued brass and a rhinestone roundel.
I'm getting the hang of it. they are really tiny, so its a little harder than I had anticipated it to be.
Things I have learned in the process is, keep your heat gun on hand. When you do a section or layer, hit it with your heat gun and "bake" your piece (Be careful, you can burn them and yourself. I had the bits I was working on stabbed onto a pin that I had mounted on the end of a chopstick). That way, when you put on the next layer, you can fiddle with all the little details without messing up your prior layer. With these tiny guys, you really don't need to bake it if you just use your heat gun. Also, have some pastel chalks on hand. that way you can add color layers to your items before heating them up. This is how I got my carrots "dirty" the carrot top is a tiny piece of moss that I had harvested and dried from the roof of my garage. One little hunk of moss with make millions of carrot tops. I may do a picture tutorial on my UniqueEuphoria blog to better explain my method. Really though, this is fun and really does not cost a lot to get into. The most expensive part is the actual clay, and you use so little making such tiny things, you really get your money's worth out of it. All the other goodies can be found at the hardware store or in your house. The texture of the leaves on the cauliflower was a little seashell and the leaves of the corn was textured using an old toothbrush. It helps to Google images of the thing you are making, so you have a reference to color and texture and you can refer to the screen as you work.
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